Throughout these pages, Suzanne Lebeau reflects in an exhaustive and profound way on the path she has taken during the last forty years of creative and professional practice with her company Le Carrousel. Through her research-creation methodology, she immerses us in her constant concern to tell the world to children from a non-authoritarian and non-didactic perspective, and at the same time without renouncing her own existential questions and concerns as a creator. Against the idea of censorship, which lurks so much in creation aimed at early ages, Lebeau bases the analysis of her extensive dramatic work on the concepts of "authority", "empathy" and "metaphor"; those that allow her to reconstruct her work as a creator. The Canadian author examines her theatrical texts in light of the data offered by the reactions of girls and boys, until arriving at Three Little Sisters, the latest work in which Lebeau sets out to unite the divergent receptions of child audiences and adult audiences. A thorough and essential testimony by and about the greatest contemporary creator of theatre for children, one that reaches us through her own words.